UNDERGRADUATE STUDIO COURSE
INSTITUTE AND PLACEMAKING
ANANT NATIONAL UNIVERSITY
31 JULY -31 OCT, 2026
Dr. Vidhu Bansal & Ar. Amruta Namjoshi

COURSE BRIEF
Medium:
Films, Participatory Discussion, Multimedia Engagement
Outcome:
A 3-minute Nagari-style movie (Dynamic activity mapping)
“How can the Nagari Film Archive be used to Redefine Conventional Institution Spaces to Respond to the Needs of Society in the Present Times?”
Representing the Metropolis explored Mumbai as a cultural object and examined how metropolitan life is represented through cinema, literature, poetry, visual art, material objects and everyday narratives. The elective explored how these forms of representation shape understandings of urban identity, memory, aspiration and social relations. Students critically examined the relationship between urban form and culture while developing observational and interpretive skills relevant to architecture and urbanism.
METHODOLOGY
The course uses on-site inquiry and in-class film screenings to identify critical urban issues and opportunities. Through active engagement with resource experts and filmmakers, the students understand the power of storytelling, communicate, and address their urban inquiry.
On-site inquiry and research
In-class film screenings to identify urban issues and opportunities
Discussions with filmmakers to understand the medium of storytelling
Interview and on-site documentation
Discussions with experts to critically engage with selected issues
Audio/Video Medium to address the urban enquiry
LECTURES | RESOURCE EXPERTS
Lecture 1 | On Urban Context
The students discussed their ideas of the site, the urban issues, and the direction of examining urban context to develop a more meaningful narrative.
Lecture 2 | Workshop on Filmmaking
The student worked on their raw audio-visual data and developed it into a Nagari-style 3-minute documentary that speaks about their understanding of the site through their unique lens.
NAGARI FILMS
Five films were selected for the course, exploring the public realm, people, livelihoods and urban commons.
NAGARI FILMS IN THE CLASSROOM
The main assignment from the 2 week module was a 3-4 minute short film that would serve the purpose of activity mapping, otherwise done through drawings and sketches in an architectural studio. Using film offered the cohort the chance to experiment with format, tell a specific story, and choose what aspect of their site they wished to capture.
- Film Deconstruction Matrix: As a way to develop a more critical perspective on the 5 Nagari films that were screened, students were asked to fill a matrix prepared by the professors after the screening, and the answers were then discussed.
- Observation Report: Students, in their groups of 3-4, were asked to create a thematic report of their findings from the site, and what stood out to them as a potential story for their film.
- Shots: Each group was asked to record 10-15shots (about 7-10 minutes of footage) that could be used in the films, as a starting point for discussions with the resource experts to develop their storyline.
- Logline and Synopsis: As the next stage in making the film, students were asked to write a logline and a synopsis of their film, followed by
- Rough-cut and Final-cut of the films
OBSERVATIONS AND LEARNINGS
In the review, the professors noted that the films, in addition to being spatial indicators as expected, also informed the jurors of the stakeholders involved with the site – from street vendors to delivery riders. These are points that would have been missed out if the activity mapping was done in the standard format of sheets and pinups. The jurors were able to critique the design proposals by identifying gaps between the issues that the films brought to light and those that the students had addressed in their projects. This is an incredible finding because it shows the true value of films as teaching and learning tools in a studio setting.
Want to implement the Nagari Education Program at your own institution?
Email us at: nagari@charlescorreafoundation.org







